Sound Of Music

Company | Services | Contact

Yamaha DX7 IID

DX7 IID DX7 IID
Model Yamaha DX7 IID
Type Synthesizer
Synthesis FM
Manufactured Original DX7: 1983 - 1987, DX7II: 1987-1989
Quantity 180 000
Our Serial 8248
Polyphony 16
Oscillators 6 Operators/voice
Filters Contains no filters
Memory DX7 - 32 patches, DX7 II - 64 patches, 256 with E! card.
Additional 32/64 patches via cartridge
Keyboard 61 keys with velocity sensitivity and aftertouch
Sound Rich of harmonics, metallic
Good for Electric pianos, brass, organs, basses
Less good for Soft pads, strings, analog type of sounds
Miscellaneous Our DX7IID is equipped with E-card, that makes it multitimbral etc

 

 

 

BACKGROUND

1973 Yamaha´s organ division began to develop a prototype FM monosynth, and built 1975 a prototype polyphonic FM (the monophonic version was called "MAD"). Yamaha released in 1983 the new product line synthesizers, called DX. The rest is history. DX7 was one of the first synthesizer with MIDI, had no knobs, no oscillators, no waveforms. And it didn't sound like any other synthesizers. And later, in Tokyo, December 1986 (and in USA January 1987) came the successor to the DX7 - DX7II. There are 3 different DX7 II models:

  • DX7 II S, with a Single set of sound that can be played simultaneous
  • DX7 II D, with a Dual set of sound that can be played simultaneous
  • DX7 II FD, with a Dual set of sound that can be played simultaneous and with a Floppy Drive

 

DESCRIPTION

The DX7 generate the sound with a method called FM-synthesis - frequency Modulation. FM synthesis was first found in the New England Digital Synclavier and later on the Synclavier II (synthesizer/sampler for some 100 000 dollars, that was mainly found in multimillion-dollars film- and post production studios), with 8-bit chip. But Yamaha was first with FM-synthesis for the people. It is based on the 6-OP VLSI-FM-Chip (VLSI stands for Very Large Scale Integration) from 1983. The original DX7 had a 14-bit D/ACs and DX7II 16-bit, 44.1 kHz D/ACs that gave a little bit clearer sound.

Characteristic sounds for the DX7 is first their famous electric piano. Even basses, the brass, the marimba and tubular bells are well known DX7 sounds. But the DX7 can more than that.

The 6-OP VLSI-FM-Chip (1983)
The 6-OP VLSI-FM-Chip.
(Courtesy of dx7heaven.com/The DX-Story archive)

 

Yamaha 2 original L51s are the "heart" of the DX system
Yamaha 2 original L51s are the "heart" of the DX system


Part of the prototype system at 1980, in double refrigerator size

 

DIFFERENCES BETWEEN DX7 AND DX7II

DX7 II continues where the DX7 stop. The sounds is exact the same, but DX7 II has a new finish and new functions. The biggest changes are these:

DX7 - original

DX7 - model II

Simple MIDI equipped. Transmit and receive on channel 1. No "Local off".

Powerful MIDI-functions Transmit and receive on all 16 channels. Has "Local off". With E-card more MIDI-functions

32 voices (+ 32 via cartridge)

64 (256 with E-card) voices + 32 via cartridge

Mono tumbrel (one sound at time)

Duo timbrel (two sounds in one time) with single, dual and split mode. With E-card multitimbral.

Noisy. more bite in the sound, that is a little bit more "dirty"

Not so noisy. A little bit clearer sound

Small display

Larger display

Heavy (app 30lbs)

Easier (app 20lbs)

Very good keyboard

More plastic keyboard

GREY MATTER E!

There was an expansion card for the DX7 for internal mounting called Grey Matter E! Card. It added many new features like expanded MIDI, more patches, multitimbral, sequencer and more (a little bit different features for DX7 and DX7 II).

In DX7 II the new features was:

Grey Matter E!

  • Octal Mode - up to 8 part multitimbral
  • Engine - allows to play things such arpeggios, chords etc with one finger trigging
  • SE!quenser - allows to control internal and external sound sources on 16 tracks
  • Expanded patch memory - instead of 2x32 voices (single patches) and 32 performances (combinations) it now contains 4x2x32 voices (totally 256 voices) and 128 performances. With the optional DX7 memory cartridge total 320 voices and 160 performances
  • Expanded MIDI - transforms the DX7II to a powerful master keyboard
  • Expanded Micro Tuning - up to 32 12-tone micro tunings
  • Voyeur - Midi-monitor for incoming and outgoing Midi signals

  • DX7IIFD also contains expanded features for disk operations

The E-card is not manufactured anymore, but the company still exist under the name Mezzo Technologies

Download the 28 original files from the Grey Matter Response, Inc. E! Demo disk included with the E! expansion chip for the Yamaha DX7IIFD synthesizer. Yamaha DX-format.

 

DX7 Original
The original DX7

 

YAMAHA FM-LINE SYNTHESIZERS

The D/A converters makes much of the character of a sound on a synthesizer. Yamaha made 4 generations of D/A converters for their FM line synths in the 80s. The older are more "dirty" and more punchy, and the newer are cleaner, but not so punchy.

The First Generation Yamaha FM Synths

Sine wave operators and 14 bit D/A converters

Year Name Operators Polyphony Comment
1981 GS1 4 pairs 16  
  GS2 2 pairs 16  
1982 CE20 2 pairs ? 9  
  CE25 2 pairs ? 9  

 

The Second Generation Yamaha FM Synths

Sine wave operators, 14 bit D/A converters

Year Name Operators Polyphony Comment
1983 DX7 6 16 The original
  DX9 4 16 No velocity sensitivity
  TX7 6 16 Desktop model of DX7
1984 TX816 6 x 8 16 x 8 8 DX7 (TF1) in a rack. The ultimate FM-synth
  DX1 6 32 As two DX7 and with better user interface on the panel and better components
1985 DX5 6 32 The successor of DX1
1986 DX21 4 8 The best of the 4 operators FM-synths (but not close to the 6 operators)
  DX27 4 8  
  DX27S 4 8 As DX27 and built in speakers
  DX100 4 8 Mini-keys. Velocity sensitivity only by external MIDI
  FB01 4 8 Half rack computer-model

 

The Third Generation Yamaha FM Synths

Sine wave operators, 16 bit D/A converters

Year Name Operators Polyphony Comment
1987 DX7II/D 6 16 The new standard model DX7. Dual mode
  DX7II/FD 6 16 As DX7II/D and a built in 3,5" disk drive for saving/loading voice-data
  DX7S 6 16 As DX7II/D, but lack of Dual Mode and smaller display
  DX7 Centennial 6  16 Like a DX7II but inverted color (white) and 76 keys
  TX802 6 16 Rack mounted, multitimbral (8 parts) deluxe model of DX7II

 

The Fourth Generation Yamaha FM Synths

Eight waveforms as operators, 16 bit D/A converters

Year Name Operators Polyphony Comment
1987 TX81Z 4 8  
1988 DX11 4 8  
  YS100 4 8  
  YS200 4 8  
1989 V50 4 16  
  TQ5 4 8  

 

 

TX802 - improved DX7II in rack format

TX802 - improved DX7II in rack format

 

SOFTWARE DX7

FM7

There is also a good software from Native Instruments that can emulate a DX7, with additional features that makes it to a killer: FM7

FM7

It can produce all classic DX7 patches and even read system exclusive files from DX7. But it also contains filters and effects, and most of all: A user friendly interface

DXulator

DXulator is a non real time DX7 emulator written in Visual Basic (Windows) which is engine with a embedded Csound version - and is free!

DXulator

 

BROCHURES

The first DX-line brochure from december 1982:

The original DX7 brochure

TX7 (1985-1987) - DX7 classic in desktop module format
TX7 (1985-1987) - DX7 classic in desktop module format

DX7 MANUAL
From Yamaha Manual Library (http://www2.yamaha.co.jp/manual/english/index.html)

 

REVIEWS AND ARTICLES

 

PROGRAMMING THE DX7

To program a DX7 is not, as Yamaha said in their brochure "easier than ever", sooner exactly the opposite. Because of that many musicians don't like the DX7. They have only heard small pieces of how a well programmed DX7 can sound like, because few musicians programmed new sounds. But a well programmed DX7 can sound excellent.

The DX7 has 6 operators or sinus tone-oscillators per voice. Each of the operators can be one of following:

  • Carrier - the fundamental tone
  • Modulator - modulates the carriers that creates harmonics. Some modulators also has feedback that produces harmonics for sounds like for instance sawtooth wave, used in brass and strings.

These operators can be combined in one of the 32 preprogrammed algorithms where some operators are carrier and some frequency modulates them to different harmonic series. That will be the waveform. And because of this synthesis method there are no filters needed. To every operator is one set of envelope generators that is the attack, decay, release and sustain levels and times for each operator.

 

DX7 SOUNDS

File Format
All DX7 Original ROM-cartridges - 8 banks (1A, 1B, 2A, 2B, 3A, 3B, 4A, 4B) Syx
Brian Eno's DX7 Patches (Sound chart) Jpg
Over 300 DX7 banks (a 32 voices) Syx
Toby's DX7 Voices (68 selected voices, programmed by Torbjörn "Toby" Frisk) Cpr - Cubase SX
Toby's DX7 Voices (68 selected voices, programmed by Torbjörn"Toby" Frisk) Mid
Toby's DX7 Voices (68 selected voices, programmed by Torbjörn"Toby" Frisk) Lib - SoundDiver

 

EDIT PROGRAMS

Shareware program:

 

The DX7 Centennial Digitally Algorithm Synthesizer
The DX7 Centennial Digitally Algorithm Synthesizer (1987)

 

REPLACEMENT KEYS FOR DX7

If a key is broken, you can get a new from Yamaha. The prices for replacement keys for DX7II is:

  • $5.48 (+ tax and shipping and handling) for a white key (January 2005)
  • $6.40 (+ tax and shipping and handling) for a black key (March 2007)

To place an order Yamaha needs to know what letter key you order.

E-mail for Yamaha parts: partsyca@yamaha.com
Telephone for Yamaha parts: 888 892-6242 (toll free)

They will accept Visa, MC or AMEX

When you have the key, open the bottom, lose the 4 contacts (at least from the keyboard of DX7II) the ground and the screws at the keyboard. Release the keyboard and the white strip behind it. When releasing the keys, start with the white by pushing them a little bit. Then the black if needed.

Carefully put it together again, and check that all keys are working before making to much work with all screws. If a key not is responding, or responding bad it probably depends on the small metal tongue underneath that can easily adjusted from underneath of the keyboard frame.

 

BATTERY CHANGE OF THE DX7

After some years (5-20) the battery that holds the memory of the DX7 will be empty. Then you will need to replace it with a new CR2032 lithium battery inside the DX7. You can find that very cheap at for instance Ebay. Be sure to buy brand name batteries that last, and not nameless junk batteries - they will not last. This is how to replace the battery:

After that you´ll need to reload the sounds to the DX7´s memory. You can find some good DX7 voices here above.

DX7 Mainboard
DX7 Mainboard

 

THE FIRST FM RECORDING

"Turenas Stria Phone Sabelithe" from 1972 by John Chowning was the first widely presented composition ever to make extensive use of Frequency Modulation (FM).

Turenas Stria Phone Sabelithe
Turenas Stria Phone Sabelithe

 

LINKS

About Us | Privacy Policy | Contact Us | ©2006 Sound Of Music